Spanning several decades and three countries, these enchanting short stories dwell unsentimentally on shifting homes and lost ancestral homelands, distant memories and fragmented family ties. Largely inspired by the author's own life experiences, they depict close parental bonds, poignant encounters, tragedies and personal triumphs. Injustice, the importance of education and a love of literature are recurring themes in the more autobiographical stories. At the age of thirteen in Pakistan "the girl" is forced to learn to read the Quran, without understanding its verses until adulthood. During a school year spent in Texas, she witnesses the ugly realities of American racism and segregation. At university in Pakistan, she visits a teenaged royal bride who is forced to observe purdah, to whom she later sends samples of classical English fiction, in the hope of inspiring her, and being a comfort and an inspiration. Years later, she visits her former philosophy professor at Oxford, with whom she shares her decision to become a writer. These are stories of dislocation, relocation, and longing, evoking the physical and mental isolation made so tangible during the Covid pandemic. Rich in dialogue and description, the sixteen stories are Persian carpets, interwoven with numerous threads to produce a vivid tapestry of lives lived.
Spanning several decades and three countries, these enchanting short stories dwell unsentimentally on shifting homes and lost ancestral homelands, distant memories and fragmented family ties. Largely inspired by the author's own life experiences, they depict close parental bonds, poignant encounters, tragedies and personal triumphs. Injustice, the importance of education and a love of literature are recurring themes in the more autobiographical stories. At the age of thirteen in Pakistan "the girl" is forced to learn to read the Quran, without understanding its verses until adulthood. During a school year spent in Texas, she witnesses the ugly realities of American racism and segregation. At university in Pakistan, she visits a teenaged royal bride who is forced to observe purdah, to whom she later sends samples of classical English fiction, in the hope of inspiring her, and being a comfort and an inspiration. Years later, she visits her former philosophy professor at Oxford, with whom she shares her decision to become a writer. These are stories of dislocation, relocation, and longing, evoking the physical and mental isolation made so t