The sequence of poems in Slipstream registers a parent's shifting interiority during a young adult child's hospitalisation. Its interwoven forms look back through

histories of mental healthcare, troubling the everyday, embodied, and institutional edges of its immense present. Through its redactive practice and miscellany of salvaged and imagined moments, Slipstream maps a late season of maternal care, creating an open, generative space for readers to inhabit.