The Only Country Was The Color of My Skin
The Only Country Was The Color of My Skin
Like an ink-wash painting, The Only Country Was the Color of My Skin captures in its lines and tones the landscape of post-war America, personal history and a hybrid culture. In her second collection, Kathleen Hellen records the "things of beauty" and the "awful things," as Sei Shōnagon described them in The Pillow-Book, evoking the tension between conformity and conflict. Hellen experiments with traditional forms like haiku, haibun and zuihitsu and summons the ghosts of Noh to connect with family and ancestors.
111.60Lei
111.60Lei
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Like an ink-wash painting, The Only Country Was the Color of My Skin captures in its lines and tones the landscape of post-war America, personal history and a hybrid culture. In her second collection, Kathleen Hellen records the "things of beauty" and the "awful things," as Sei Shōnagon described them in The Pillow-Book, evoking the tension between conformity and conflict. Hellen experiments with traditional forms like haiku, haibun and zuihitsu and summons the ghosts of Noh to connect with family and ancestors.
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